I’m happy to announce that until this month will be open the subscription for the animation masterclass “Character Animation per Film/Tv e Videogames” where I’ll be the coordinator of the course and tutor . This masterclass is 1 year course focused on 3d character animation workflow . In the Read more…
Simple Flat and Extruded 3d World Map Planisphere , great for motion graphic implementation . I animated inside Cinema4d for make this “reverse-explosion” FX . Also available on cgtrader
example expression: Math.round(thisComp.layer(“pre_cursore 4”).effect(“PERCENTAGE”)(“Cursore”)) Math.round() function convert the float value to an Int value. Standard toolkit in After Effects, no plug-ins required.
Here is a short demo of the Skinning Converter by Hans Godard. The algorithm is creating Bones, Bones Animations and Skinning Maps. Impressive , congrats Hans!
Shortfilm ” Almost Home” : Official trailer: Interviews: DreamWorks Animation Behind the Scenes Go Behind the Scenes DreamWorks Animation Studio, how Intel and DreamWorks team up to create revolutionary software that truly puts the pen back in the animator’s hand.
Inside Out will be Pixar‘s fifteenth feature film. It is directed by Pete Docter and co-directed by Ronnie del Carmen, with Jonas Rivera as producer. It will be released on June 19, 2015.
A Blogger has developed a rather well put together video that suggests that every Pixar film would place in the same universe and would be linked.
Simple script that reset all the object’s material to Standard material and reset also the Materials Editor window. USAGE: just drag the .ms script to the 3dsmax view. If you have suggestions or feautures to add don’t esitate to contact me! Enjoy http://www.creativecrash.com/3dsmax/script/as-clean-materials
Making of Big Hero 6 Get a peek behind the Disney curtain as Engadget speaks with Walt Disney Animation Studio Chief Technology Officer and the directors of ‘Big Hero 6’. Watch Making of Disney’s upcoming animated film Big Hero 6. Get a peek behind the Disney curtain Walt Disney Animation Read more…
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Guillermo Del Toro is the original fan boy. The director who has been behind an amazing variation of creatively powerful work, from Hellboy to Pan’s Labyrinth, Del Toro is passionately engaged in the worlds of fantasy and sci-fi. So much so that he acknowledged his own obsession by dubbing his latest effort, Pacific Rim, “robot porn.”
Robot porn it is. The terrifying Kaiju — huge monsters from the depth of the ocean, each with its own physiognomy and personality — meet the 250-foot high Jaegers, man-made and man-directed battleship-like robots. The immensity of these main characters (who play alongside a cast of human actors with their human dramas) can’t be over-stated. Perhaps it’s no surprise that Industrial Light & Magic (ILM), a pioneer in all VFX, brought this all to life.
ILM hard surface modeler David Fogler enumerates some of the stats: The Jaeger ‘Gipsy Danger’ is so large that the Statue of Liberty would only reach its knees. It is 10 times taller than King Kong and its feet are as long as two city buses. She (in the tradition that battleships are referred to as females) takes only two steps to cross a football field.
(L-r) The United States’ Gipsy Danger and Australia’s Striker Eureka.
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